The International Touring and Environmental Responsibility (ITER) programme supports artists and cultural organisations in England, Denmark and Norway to build more sustainable, inclusive models for touring.

Designed and delivered by Julie’s Bicycle in partnership with Arts Council England, Arts Council Norway, and the Danish Arts Foundation, ITER enables deep collaboration and learning across borders—and across disciplines.

Programme years delivered

Participants to date

Countries collaborating

Network for sustainable touring

  1. A call for applications and selection process
  2. A series of interactive online seminars and peer sessions
  3. Development and testing of new ideas for sustainable touring
  4. A chance to access funding or strategic support
  • Beginner programme – an introduction to sustainable touring principles.
  • Changemakers programme – for those further along in their practice and ready to lead new models.

Since 2022, over 80 artists and organisations have taken part in ITER. Together, they are leading the shift toward more responsible touring practices.

2022 Cohort – Piloting new approaches to environmental responsibility

Three UK–Denmark partnerships tested new approaches to sustainable touring through workshops, research, and hybrid collaborations.

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2023 Cohort – Deep touring model for dance

A collaboration exploring low-emission touring, local engagement and co-creation as alternatives to traditional fly-in-fly-out models.

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2024 Cohort – Creative experiments in sustainable touring

Five new projects spanning dance, music, design and sound art have developed bold low-impact approaches to international collaboration.

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2025 Cohort – Regenerative approaches to international touring

Three new projects spanning performance, artistic exchange and strategic operational knowledge sharing

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  • Case study: Deep Touring Model for Dance: Pavilion Dance South West and Aarhus Festival ask: Can we reframe environmental responsibility and justice as drivers for creative choices rather than limitations?
  • Project: Eliot Smith Dance (ESD) continue their collaboration with Danish-based composer and sound artist Liv Vester Larsen (ITER Cohort 3), which began with COALFIELD to LANDSCAPE – the next part of their project, Merging took place in Denmark in August 2025.
  • 2025 Copenhagen knowledge-sharing event: CPH Stage (Copenhagen) and LIFT (London) share their research project exploring sustainable methods of festival budgeting and resourcing in this1.5 hour knowledge-sharing event and panel recording.
  • Case study: ITER 2025 participant Tom Bailey of Mechanimalreflects on a 1,600 km low-impact walking tour that reconnects art, ancestry, and environmental responsibility, asking what touring can learn from hunter-gatherer relationships with nature.
  • Case study: ITER 2025 participants Nutkhut explores how international collaboration and small habit changes can shape more sustainable and responsible touring, grounded in the British South-Asian cultural experience.
  • Reflections: How can international touring become more sustainable? ITER 2025 participant Gulli Sekse reflects on regenerative touring models, ecological thinking and new approaches to environmental responsibility in the performing arts.

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2025 – How can we dream differently about touring in a time of climate crisis?
JB, in collaboration with in futurum, and cultural practitioners from the UK, Danish and Norwegian arts sectors, teamed up for a panel discussion and workshop at Manchester International Festival 2025 to discuss sustainable approaches to mobility, cultural exchange and global touring.